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Writer's pictureClay Anderson

Review of Into that Darkness by Gitta Sereny

Gitta Sereny's Into That Darkness: An Examination of Conscience is a profound exploration of morality, complicity, and the human capacity for evil, centered around the life of Franz Stangl, the commandant of the Treblinka extermination camp. Published in 1974, this work is not merely a biography but a chilling inquiry into the psyche of a man responsible for the deaths of approximately 900,000 people during the Holocaust.


The book is structured around extensive interviews that Sereny conducted with Stangl, alongside testimonies from survivors and others connected to Treblinka. Over seventy hours of dialogue reveal Stangl as a complex figure—intelligent and courteous yet deeply flawed. Sereny’s investigative approach aims to understand how an ostensibly normal individual could become an agent of such horrific atrocities.


One of the most striking themes in Sereny's narrative is the concept of the banality of evil, echoing Hannah Arendt’s observations about Adolf Eichmann. Stangl is portrayed not as a sadistic monster but as an "everyman," whose ambition and desire for normalcy led him to rationalize his role in genocide. He refers to his victims as "cargo," a chilling detachment that allowed him to perform his duties without confronting their humanity.


The interviews reveal Stangl's internal conflicts and justifications. Despite moments of reflection, he often deflects responsibility, showcasing a profound denial that many perpetrators exhibit. Sereny captures this duality—his moments of lucidity juxtaposed with his evasions—creating a haunting portrait of moral corruption.


Sereny does not focus solely on Stangl; she also examines the perspectives of those around him, including his wife, Theresa, who struggles with her husband's actions yet remains loyal to him. This adds layers to the narrative, showing how complicity can manifest in various forms within families and communities.


The voices of survivors provide a stark contrast to Stangl's narratives. Their testimonies are raw and unembellished, highlighting the terror and dehumanization they faced. This interplay between victim and perpetrator deepens the reader's understanding of the Holocaust's impact on both sides.


Sereny’s writing is both engaging and unsettling. She navigates complex moral questions with sensitivity, compelling readers to confront uncomfortable truths about human nature. The book's emotional weight is palpable; it serves as both a historical document and a philosophical treatise on guilt, responsibility, and the capacity for evil within ordinary individuals.


Readers may find themselves grappling with their own perceptions of morality as they reflect on Stangl's justifications and Sereny's probing questions. The final moments of the book are particularly poignant; Stangl acknowledges his guilt just before his death, leaving readers with an unsettling sense that understanding evil does not absolve it.


In conclusion, Into That Darkness is an essential read for anyone seeking to understand the depths of human conscience in the face of atrocity. Sereny's meticulous research and empathetic approach challenge us to reflect on our own moral compasses in times of crisis. This book is not just about one man’s descent into darkness; it is a cautionary tale about how easily one can slip into complicity when confronted with systemic evil.


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